Knowing Page 16
Sewing machine (or free motion) embroidery and paint on cotton canvas: 27 captioned panels for the story Knowing
first gallery exhibit in 2011 at Seymour Art Gallery
KNOWING
I always knew that one day I would find myself somewhere else. My therapist assured me it was a resistance to commitment but I continued to save for that eagerly awaited moment, content to deny myself luxuries she implied were an insane depravation. Well, that day finally arrived when, on my fortieth birthday against all odds in an unpopular cafe on Main, an abandoned brochure attracted my attention over cappuccino: KINESTHETICS, KUNDALINI AND THE KABALA ON KNOSSOS FOR UNDER $300 A DAY and I had my very first vin-dit (a very personal shove in the direction of my zah-mah-ki-bo, remember Bokonon?).
The process must remain secret (though the weather’s been great) but these three things may be revealed: rather than uncoiling spiritual energy up the spinal channel to the radiant thousand petaled lotus, as per usual, I have been directed to master unfurling the curled kundalini OUT; I have rediscovered horns, crescent moons, sacred Yonies and the mystic in mathematics: 25,920 (2+5+9+2+0=18, 1+8=9, 9 3=3) makes my heart beat faster (43200 beats in twelve hours and 25920 60=432, 432,000: the number of years reckoned to the Kali Yuga, wow!); and this morning in the pale absinthe dawn of the new moon, I lifted my skirts and cowed the bull, my bare feet wound themselves in the curls at his loins and I rode him, the power in his shanks shifting between my thighs - well, let’s just say life hasn’t been the same since. And thanks to high interest no risk futures I can pursue my dream; I don’t know, I’d be content with a small herd, maybe 18, a few colourful skirts and a red petticoat